Opening: Thursday, 29 September 2011 at 19:00 in RSR with performance Fire Painting by Sanela Jahić
Authors: Srečo Dragan, Stefan Doepner, Luka Drinovec, Luka Frelih, Sanela Jahić, Zoran Srdić Janežič, Boštjan Kavčič, Nika Oblak & Primož Novak, Borut Savski, Sašo Sedlaček, Maja Smrekar, son:DA, Robertina Šebjanič, Igor Štromajer in Branko Zupan
The exhibition Robot Museum includes fields such as interactivity, robotics, informatics and multimedia. It’s the first comprehensive exhibition of this part of contemporary Slovenian art. The project involves exploration, production and exhibition of robots and their cultural content, as well as software-art, intermedia installations and performance. The word robot means a machine controlled by computer and programmed to move or perform specific tasks. This universal term was first used by Czech writer Karel Čapek (suggested by his brother Josef Čapek) in his play R.U.R (Rossum’s Universal Robots, 1920). In industry robots perform repetitive tasks or carry heavy loads. Some are designed to work in dangerous situations or they explore space and sea depths. They are equipped with sensors or video cameras and are even programmed to make decisions.
Until recently Slovenia hasn’t devoted much attention to robots and their contextualization in fine arts. This exhibition is based on previous researches and theoretical placements, and presents a transition from kinetic to cybernetic art. It will also raise questions about placement of robots as new media products in the field of arts. At the same time it will establish a bridge between science and art which are subjects of separate disciplines, but in the case of robots they represent an indispensable link.
In the Slovenian arts for the last twenty years robots appeared in artwork of artists like Srečo Dragan, Dušan Bučar, Luka Drinovec, Borut Savski, Stefan Doepner, Boštjan Kavčič… So far there have been fifteen projects related to robots (Sašo Sedlaček, Robertina Šebjanič, Luka Frelih, Maja Smrekar, Igor Štromajer, Nika Oblak & Primož Novak, Zoran Srdić Janežič, Branko Zupan, Sanela Jahić...). Most of the artists were participants of the International Festival of Computer Arts (1995-2008) and unfortunately some of their older artwork is lost.
With this project Maribor Art Gallery and MKC Maribor would like to present phenomena of robots in the arts and culture. The exhibition aims to encourage connection and dialogue between technical culture, its development and artwork, while developing innovative transfer of knowledge and skills.
Concept by: Jože Slaček
Curator: Meta Kordiš
Co-production: MKC Maribor
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Photo by Ivan Leskošek  Umetnostna galerija Maribor |
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| Photo by Ivan Leskošek Umetnostna galerija Maribor |
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| Photo by Ivan Leskošek Umetnostna galerija Maribor |
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| Večer, sobota, 24. september 2011, članek Meta Kordiš, kustosinja UGM |
"Umetnostna galerija na drugem koncu Slovenije bo utripala v digitalnih impulzih. V Mariboru bo ob 19. uri odprtje razstave Muzej robotov, ki jo je zasnoval Jože Slaček. Povprašali smo ga o njegovem zanimanju za to področje." + "O vlogi kustosinje pri tem projektu pa smo povprašali Meto Kordiš." (Radio Študent, Kulturne novice, 29. 9. 2011, Zora Žbontar)
22.10.11 GUIDED TOUR / ROBOT MUSEUM: "Along with the guided tour, Sanela Jahić will execute the performance Fire Painting (2010). It is a cybernetic construction, which is composed of a set of 16 pumps creating pressure and pushing a lavish green colour kerosene oil mixture through the nozzles when the valves are released. The kerosene is sparked to combustion creating a formidable brilliant flame. The combustion is controlled by subtle movements of the sensor glove worn by the artist. She is literary playing with fire. The idea is built on a paradox of tactile handling of this primal element, using it as colour on a canvas like an action painter. She controls the image yet it constantly alludes her. Fire is the ultimate intangible and unstable light-based medium therefore any digital or electronic image can be emulated in its light (screens, projectors, televisions). There is no more frame, no more edge, just endless folds of infinite becoming of the image."
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